The museum experience has traditionally been distant: a governing body or institution curates a collection of artworks based on its own, sometimes archaic, internal metrics (for instance, the prestigious French Salon once considered the Impressionists — Monet, Manet, Degas, Cezanne, etc. — puerile and unskilled), displays its works in some imposing space, and then, and only then, does the public get to interact with the pieces. Safely. From behind that wire there. Or else you risk provoking the security guard who looms at the edge of every room [...]
Read the complete article on the MOCA blog:
https://museumofcryptoart.medium.com/m-c-community-collection-a3da46380a0b
Let us know your thoughts in this thread
The museum experience has traditionally been distant: a governing body or institution curates a collection of artworks based on its own, sometimes archaic, internal metrics (for instance, the prestigious French Salon once considered the Impressionists — Monet, Manet, Degas, Cezanne, etc. — puerile and unskilled), displays its works in some imposing space, and then, and only then, does the public get to interact with the pieces. Safely. From behind that wire there. Or else you risk provoking the security guard who looms at the edge of every room [...]
Read the complete article on the MOCA blog:
https://museumofcryptoart.medium.com/m-c-community-collection-a3da46380a0b
Let us know your thoughts in this thread
